2018/2

Editor’s Introduction

HAJNAL KIRÁLY: Closure and Opening

Q and A

MÓNIKA DÁNÉL – TERI SZŰCS : Closing the Project: Processes, Experiences, Plans

BALÁZS VARGA: Beyond Contact Zones and Comfort Zones

TERI SZŰCS: Non-national Contact Zones and Solidarity

ESZTER VIDOSA: Scholars, Academics in the Age of Technology

ANDRÁS HLAVACSKA: From Dracula to The Whiskey Bandit

BENCE KRÁNICZ: Academia and Eastern Europe: Learning to Fit In

ZSOLT GYŐRI: Project Closing Remarks

MÓNIKA DÁNÉL: : Intersections and Inner Institutions

Articles

FERENC VINCZE: Contextualisation as a Methodological Possibility. The Case of a History of Hungarian Literature in Romanian

BALÁZS ZÁGONI: Landscape after Revolution. Contemporary Cinematic Narratives of the Romanian and Hungarian Revolutions

CSILLA PATRUBÁNY: Tales of Necessities and Narrowness. Closed Spaces and Crisis Heterotopias in Everybody in Our Family (Radu Jude, 2012)

Book Review

ZSOLT GYŐRI: Industry Statistics, Market Forces, Filmmaking Trends: An “Institutional Turn” in Hungarian Film Studies? Cinematic Regime Changes (Varga Balázs. Filmrendszerváltások. Budapest: L’Harmattan, 2016)

Conference Report

ANDRÁS HLAVACSKA: Border Crossing International Conference Csíkszereda/Miercurea Ciuc, 20–21 April 2018

Contents

Click here to download

Download all

 

Comments are closed