Editor’s IntroductionHAJNAL KIRÁLY: When East Meets West
Q and AANNA BÁTORI: Local Forms, Global Patterns
HAJNAL KIRÁLY: Masculinity – imported (Antal Nimród: The Whiskey Bandit, 2017)
BENCE KRÁNICZ: Hungarian Bandit(s)
ZSOLT GYŐRI: Gangster Zone
BEJA MARGITHÁZI: Dogs and Underdogs at the End of the World (Bogdan Mirică: Dogs, 2016)
ELŻBIETA DURYS: Polish Crime Fiction After 1989
BALÁZS VARGA: Eastern Crime Wave and Its Social and Cultural Intersections
ESZTER URECZKY: Crises of Care: Precarious Bodies in Western and Eastern European Clinical Film Dystopias
ANDRÁS HLAVACSKA: Dracula and the Mediaparadox
LILLA GREGOR: Border Crossing in the Textual World of Ádám Bodor
TERÉZ VINCZE: Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories.
BENCE KRÁNICZ AND EMANUEL MODOC: Report on the International Conference Contact Zones: Transnational Encounters, Dialogues and Self-Representation in Contemporary Eastern European Literature, Cinema and Visual Cultures (Eötvös Loránd University, Budapest, Hungary, 28-30 September 2017)